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Vienna
Acoustics The Kiss Stand Mounted Loudspeaker
To the age its art, to art its freedom With these few words elegantly crafted
and prominently presented above the entry of the famous Secession located
within Vienna´s city center, the beginning of Jugendstil was begun
in 1897. The Jugendstil was no dogmatic federation espousing artistic
rights and wrongs; rather, this was a group of forward thinkers exploring
new departures and destinations in creation. At their foundation was
the urging of every persuasion including architecture, painting and
music all combining together for the sake of progression. As the art
movement´s most significant contributor and father, Gustav Klimt
has been forever immortalized into the art fabric that is Vienna. Passion,
skill, innovation and harmony are all words that evoke Klimt and his
art. It is with this foundation that The Klimt Series was born and presented
here, our newest release paying homage to his masterpiece, Der Kuss. Built around the same revolutionary coincident driver as the famed The Music, The Kiss represents a new level of performance from a stand mounted speaker. Mounted below the revolutionary coincident Flat-Spider-Cone driver combination is an all new 23cm our proprietary X3P Spider-Cone woofer. Even the visually stunning, unique new stand features technologies designed to not only look beautiful, but more importantly offer a stable and silent environment for The Kiss to operate in. Available
Finishes: Sapele and Piano
Black
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Specifications:
System
Type: 3-way stand-mounted system, employing integrated subwoofer The
Kiss Stand:
Following the introduction of the flagship
of The Klimt Series, The Music, Vienna Acoustics present the smaller,
yet no compromise model, The Kiss. As its larger sibling, The Kiss is
based on the same revolutionary and patented Flat- Spider-Cone
coincident driver system. This new design is able to produce the Platonic
ideal of the entire critical seven octave human vocal range and beyond
in a single, phase coherent time plain without any of the normal horn
loading and compression present in most conventional designs. Not only
does this technical innovation free the sound of virtually all mechanical
interference, it also allows for great placement freedom that is normally
not experienced nor expected with a reference speaker system. As with
art, time and space are not frozen into a predetermined static point.
Vienna Acoustics The Art of Natural
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